Pterrorshark vs. Sharkadactl
I had stopped, long ago, waiting for a movie to come out that could redefine the genre. It’s not done anymore. Studios are too interested in their precious international dollar to spend any money or take any chances because everybody already knows the formula to set off a blockbuster in Beijing or Bali. Film is a dead, the Yuan and the Rupee have killed it, and though we visit its grave every now and again when we re-watch films like Jaws or The African Queen, there’s always a melancholy attached because something inside tells you this is it. It was fun while it lasted but it’s over. Most times I sit in my theater seat expecting just another movie as I’ve abandoned hope of an actual cinematic experience. But I was wrong, and I’m glad to say I was because Pterrorshark vs Sharkadactl is a tour de force. Man vs nature vs shark vs nuclear power vs the digital age, the film combines this country’s post 911 anxiety with what’s left of our communal Cold War nuclear paranoia.
The Pterrorshark (the ‘P’ is silent) has two heads, and each head two mouths, all of which breath atomic fire. The right head is of a shark, which surprises no one, and the second head is a lion’s head, which surprises some because they don’t expect to see a lion head on something called a Pterrorshark, which also has three pairs of wings. A set of bat wings, dove wings, and what look to be the wings of a flying squirrel. It has the body of a shark and is the size of the empire state building. The giant beast exists as the result of radioactive genetic experimentation, is considered by the people who created it a danger to human existence, and is encased in lead under the Yucatan Peninsula by order of the president.
by SAUL LEMEROND
by CATHERINE MOORE
by CHAD W. LUTZ
by DL SHIREY
Escape From Spiderhead
George Saunders / The New Yorker
Behind the Hand - Keoni Cabral- Flickr
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